It’s a great hook and they deliver it nicely.īut they don’t rest, unless we use something to rest em. I’ll do whatever it takes to get you out of my life This song has been done acoustically previously and it works. They should have stayed within the strummed verse riff.įrom the “Counting The Hours” album and they nail that Staind vibe.įrom the “Hollow” EP and “Counting The Hours” album. I don’t like how they tried to recreate the fast picked distorted verse riff in acoustic format. This song sounds great and I like how the drums have this processed electronic effect for the first part. Personally I prefer how it starts off in acoustic and I like how I can make that “American Woman” association for the riff known as the “Nu Metal” riff.Ī new song. This song is from the first album “Cause And Effect” and it works great in acoustic and electric formats. It feels swampy this time around and it doesn’t lose its aggression.įrom the “Counting The Hours” album and the way this song sounds in acoustic format is so Breaking Benjamin and I like it. It was heavy and aggressive on that album, a perfect concert and album opener. There is also a bluesy solo on this, which is cool to hear the guitarist flex their styles.įrom the “Breaking Point” album. I was always told that I am a product of my upbringing, and how the family, the social circles and the city I grew up in plays a part with all of this. If there is a song to listen to, press play on this. Released on Octoand this one was purchased from the Amazon U.S store without any graffiti on the cover.Įlectronic programmed drums provide a foundation, while the acoustic guitars reign with arpeggios and harmonics. “After Hours: Unplugged & Rewired” is like a best off, done in an acoustic format with the addition of a few new tracks. The Facebook account is there, but the band members are not active on it as it doesn’t look like there is a band.
Their website went from being there to being unavailable, as the domain name wasn’t renewed. It’s heavy, it rocks and the melodies show a real growth.Īnd it was the last song they released. Just push me over the edge so I can feel the fall It’s an accumulation of the first three albums. The vocal delivery is like a cross between “Come Undone” from Duran Duran and Staind in the verses crashes into a big Chorus.Īnd at 3.10 in length, there isn’t a note or lick or melody wasted. It’s a cover from Depeche Mode and it rocks. It’s a mixture of the electronic elements and heavy rock. The “Aquarius” album was also announced with the single. The theme of the song is easy to make out. Lana Teramae on The Week In Destroyer Of Harmo…ĭestroyerofharmony on 1996 – Part 5.3: Michael Schen…ĭestroyerofharmony on The Week In Destroyer Of Harmo… 2001 – Part 5.7: Black Label Society – Alcohol Fueled Brewtalityīigbadburch on 1996 – Part 5.4: Accept – Pred….The Record Vault: Dream Theater – Falling Into Infinity.1996 – Part 5.1: Van Halen – Best Of – Volume 1.Australian Method Series: Lord – Set In Stone.The Week In Destroyer Of Harmony History – July 18 to July 25.1996 – Part 5.2: Manowar – Louder Than Hell.1996 – Part 5.3: Michael Schenker Group – Written In The Sand.The Record Vault: Dream Theater – Once In A Livetime.Enter your email address to follow this blog and receive notifications of new posts by email.
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